David Mura

David Mura is a Sansei(third generation Japanese American) writer who is distinguished himself as a poet, nonfiction writer and playwright. After he gained literary plaudits for his poetry After We Lost Our Way(1989), he has write two memoirs, Turning Japanese: Memories of a Sansei (1991) and Where the Body Meets fund (1996). His first memoir, Turning Japanese, received critical praise and won the 1991 Josephine Miles Book Award from the Oakland chapter of International P.E.N. In Turning Japanese, Mura chronicles the year he spent in Japan in 1985 and narrates his pervert with his identity operator as a Japanese American poet. In his second memoir, Where the Body Meets Memory, he makes further meditation on the effects of race on his desire, sexuality and private identity.
gibe to literary critic Zhou Xiaojing, at the beginning of his biography as an American writer, Mura felt he should be associated with “ canonize White poets, rather than with the ‘unskilled, anonymous minority poets’”and be Japanese-American was ‘a source of shame or inferiority.



’ However, after he returned from Japan, Mura revealed the trans brass, replying that “everything I write, except for certain pieces of criticism, reflects an outlook which is conditioned by my being Japanese-American…” in a 1989 interview. Therefore, his personal experiences recounted in his memoirs present his personal journey to confront and accept his particular ethnic identity in the 20th century American society.
However, his identity formation as a Japanese American should be examined otherwise from the 1960s’ self-discovery movements by the minority groups as a focal point to resist the dominant cultures. In the 1960s, minority activists including minority authors highlighted the “ divided experiences of subjugation” among the socially subaltern groups who had been discriminated by the dominant and excluded from the mainstream cultures....If you require to get a full essay, order it on our website: Ordercustompaper.com



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