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Thursday, 8 November 2012

Bennet's analysis on Power, Politics, Information & Control

Form most oftentimes follows what is thought to fit with American lifestyles, be it morning tuner give-and-take broadcasts on our way to work in the car, versatile morning discussion programs designed to capture different types of viewers, or other formats that argon designed to be in synch with step up tastes, needs, and self-images. However, despite the variety of forms intelligence operation shows may take, Bennett (7) insists the content is constrict and uniform "Recognizing the narrow range of content packaged in a broad range of communication styles is a come across to understanding mass media news."

There atomic number 18 different characteristics of news which Bennett feels helps to undermine its substance and its veracity. According to the literature, he argues that there is a consensus among critics that mass media news is "personalized, dramatized, fragmented, and normalized" (Bennett 7). For example, Bennett mentions repeatedly in the book that political actors and journalists take a dim view of the mass earshot's susceptibility to grasp anything more than the simplest images and accounts of news stories. One way in which journalists achieve this simplicity and attract consumers (we must remember news is a product being sold) is to add drama to stories that gain them more infotainment than anything to do with traditional concepts of news that informs "Journalists stool been known to highlight if not concoct conflict and to mention characters to symbolize different sides. One reason: to attract an audience that is th


The American citizen is confused almost politics, ill informed, and apathetic, according to Bennett, because of inconsistent, changing and unworkable explanations uninterruptedly presented to them from sinewy political machinery and a news media that filters this information before it reaches them. The simplistic, watered-down, political images provided by political actors and the media is responsible for the apathy, because, as Bennett (60) argues "When people are confronted with ideas that contain infinitesimal in the way of intellectual challenge, though-provoking logic, or credible opposition, it is hardly surprising that the average person is not very articulate about politics.
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" Bennett does a good work of explaining why it is in the politicians best interest to keep news simple, subjective, and pleasing image-wise. However, he also argues that journalists also add to the neediness of content and truth in news scores because of various pressures face up them. We live in an age when journalists are more assiduous with creating emotionally appealing images than transmitting substantive information are real politics. Reporters also face enormous pressure from editors and their news faces to fit in with the style of reporting of the organization. The recent denudation of the 60 Minutes scandal regarding a failure to report inside information about the tobacco industry is adept such example of news reporters bowing to pressure from organization editors and executives. Further, the very format of news shows and periodicals means a constant supply of news must be generated every day, whether or not anything significant has happened. We often hear Jay Leno complain during the start of his monologue that is has been a slow news days which provided little grist for his satire mill. Bennett (68) states that the organizational need for news to fill a show or periodical feeds right into the goals of the public traffic experts in politics and business who take delight in p
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