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Friday 9 November 2012

Sociological Study: The Lonely Crowd

Equally, it turned come in to move to such people as Dr. King, who organized the famous 1956 jalopy boycott in Montgomery, Ala., which launched the Civil Rights Movement (King passim). Even so, poets had prepared the way rhetori-

cally. Brooks's poems belong to the rhetoric of preparation.

In Brooks's poems, the poet seeks group affiliation, scarce non that of convention and peer approval or values. In "Yard," the poet articulates a vision of a life other than what is expected. The dwell mebibyte is a metaphor for the life of conformity and safety, the masking yard for the life of difference, excitement, danger--even loss. The least deprived thrust close to access to it--the "charity children," who, presumably, would be expected to feel congenial for the gifts given by their conventional providers. The poet's fearful, other-directed mother sees difference as threatening and life-ending: little Johnnie Mae is likely to come to a icky end. The poet doesn't care and declares herself in favor of the glory of risk, despite the life-ending prospects of those whom she knows who have embraced it. That may be a mistake, but the poet has figured out that there is something inauthentic about a front yard that ir always smooth `nd tended and well provide and where no weed has a chance (does the flower?). The ambit of the chaotic back yard is what the poet wants--a taste, a glimpse, a heartbeat of real knowledge of a serviceman unorganized by convention but only real.
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Working against a world of convention, t


In "Fight," Brooks challenges front-yard conventions not just personally but from a definite semipolitical and social-action standpoint. "Fight" articulates in a poetically oblique but not tentative way the dilemma of the socially excluded who confront and are confined by dominant social attitudes and conditions. It pleads for anarchy at all levels of social experience by verbal expression that it is possible to discard "malice" and "murdering." But before the weapons hind end be laid down, victory must be won.

---. Brooks, Gwendolyn. "A Song in the Front Yard." 15 May 2005. .

he poet imagines a way of life untrapped, however risky.

Breitman, George. By any(prenominal) Means Necessary: Speeches, Interviews and a Letter by Malcolm X. new-sprung(prenominal) York: Pathfinder P, 1970.


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