Some Like It Hot and The Seven Year Itch

That heat becomes even more pronounced by the presence of his voluptuous neighbor. In rough Like It Hot, the story is fueled by Joe and Jerry's efforts to avoid the gang. passim this effort, the film becomes a combination gangster film and humorous comedy as Joe and Jerry must masquerade in incline to not only avoid the mob only to alike have an opportunity to remain close to booty. In The vii Year Itch, the news report is fueled by Richard's fantasies of his voluptuous neighbor. In fact, at various times in the film that switches hazard and forth from reality to Richard's fantasies, it is difficult to determine if events are genuinely occurring or are the product of his over-lustful imagination. The narrative is set in Some Like It Hot by a double-chase, the mob chasing Joe and Jerry and Joe and Jerry chasing Sugar. In The Seven Year Itch, the narrative is choosen by Richard's fantasies and whether or not this "itch" will be beefed-up enough to derail his reality, the marriage of seven years to his wife.

The narrative in The Seven Year Itch is furthered by Richard's unconscious mind and conscious desire for his voluptuous neighbor, known only as "The Girl" (Wilder 1955). He is reading a book he will publish by a psychiatrist, Dr. Ludwig Brubaker. The book is at first titled, "Man and the Unconscious" (Wilder 1955). Richard's fantasies fuel the narrati

ve as he imagines himself in all sorts of scenarios with women who cannot rule out his urges, including his nurse, his secretary and his neighbor. He explains his appeal on women to his wife, Helen, "I stick them. It's a kind of animal thing I've got. Really preferably extraordinary" (Wilder 1955). His wife makes light of his sense of prowess, "You read as well as many books and see too many movies" (Wilder 1955).

The narrative is driven by Joe and Jerry's need to escape the mob but in addition by their contretemps as the opposite sex. When Jerry complains he has been pinched in the elevator, Joe replies, "Now you know how the other half lives" (Wilder 1959). Like Richard's inability to control his sexual urges drives The Seven Year Itch, sexual urges drive Some Like It Hot.

Joe tells Jerry that men don't even care if women are pretty, "Just so long as you're wearing a skirt. it's like waving a red flag in front of a bull" (Wilder 1959). Joe disguises himself as a millionaire to salute Sugar while Jerry catches the attention of an elderly millionaire, Osgood Fielding III. The narrative is driven by role-reversals and gender-reversals. In a scene with Sugar while pretending to be Shell Oil, Jr., Joe laments that he has a numb heart and can no longer feel. In doing so, he turns Sugar into the female-aggressor while he plays the male-passive role. Jerry, in contrast, becomes infatuated with Osgood's attentions. When Joe asks him what he would do on the honeymoon, Jerry replies, "We've been discussing that. He wants to go to the Riviera, but I kinda lean toward Niagara Falls" (Wilder 1959). Like Richard, both Joe and Jerry are living in a fantasy valet de chambre that drives the narrative. Just as they determine to come back to reality, the gangsters' stretch keeps them in their disguises. The experiences of Joe make him a reformed man who decides he will treat Sugar better than the men who word of farewell her with the fuzzy end of the lollipop. In the closing scene, Jerry as Daphne is expl
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