Flannery O'Connor's stories and Theme of Abandonment

These stories publication place in a solid ground that is cruel, where human beings inflict damage on one another almost as a outlet of course. The world O'Connor creates in her stories is one where the conflict between master head word and body is often bloody and may border on the grotesque, and in her stories the plot and theme unf dodderys in a world with mythological power and significance.

O'Connor derives her view of the world from her southmostern roots, and her South is a place where the human and the modern clash:

The passions ar just beneath the stagnant surface in Flannery O'connor's stories. She was an old Catholic, not a convert, in the South of the poor exsanguinous of the Bible Belt and this gave her a critical skirmishing power. But the symbol of religion, rather than the acrimonies of sectarian dispute, fed her violent imagination (Pritchett 1552).

piety itself is often presented in terms of a form of abandonment, as in "A Good Man Is demanding to take care" when the Misfit details how Christ raised the dead and in force out spoiled the natural order of things.

O'Connor shocks the reader with images and actions of violence, suffering, and death, yet these images take place in a structure and a style that is distinctly comic. She uses incongruity as a way of achieving this potpourri of opposites. This incongruity is also seen in terms of the way O'Connor intertwines the sensible and the unearthly, and the mechanical and the organic. In "A Good Man Is Hard to Find," the automobile carries a

The Misfit lacks a spiritual quality. He does everything by intellectual, excluding any ability to comprehend what the mind cannot encompass: "Coupled with his complete reliance on reason is the Misfit's self-sufficiency.

In a wry repudiation of the crime of theft, he asserts that 'nobody had nothing I wanted'" (Feeley 74). The Misfit has withdrawn from normal society in order to be self-reliant, and when he does encounter representatives of the society he left behind, he exterminates them without giving the act much thought. He is what this society has made him, and he is now its worst enemy.

Brinkmeyer, Robert H. The finesse & Vision of Flannery O'Connor. Baton Rouge: Louisiana State U P, 1989.

Fitzgerald, Sally, and Robert Fitzgerald, eds. Mystery and Manners: Occasional Prose. New York: Noonday P, 1969.

The gunman he uses is another machine, and in this story the machine is perverting in the hands of a human-machine like the Misfit. The Misfit says he no longer has any pleasure except in meanness, and he attributes this to Jesus because Jesus raised the dead and threw everything else off end:

Pritchett, V. S. "Flannery O'Connor: Satan comes to Georgia." The Story and Its Writer. Ed. Ann Charters. Boston: Bedford Books of St. Martin's P, 1995. 1552-1554.

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