Gabriel Garcia Marquez and "One Hundred Years of Solitude"

Considered by many to be the greatest Latin American author, Gabriel García Márquez encompasses the imagination of peasant reartlers and the talent of rambling gypsies in his writing. Most famous for his celebrated epic reinvigorated One Hundred Years of Solitude, this Colombian Nobel Prize master is the father of a new literary genre called wizard(prenominal) sureism. With a touch of authenticity and a hint of fantasy, he creates a masterpiece. García Márquezs contribution to the literary homo distinguishes him as a subject noteworthy of study, for his work raises measurable questions of time and cosmos.

        By setting the standard for magical realism, García Márquez prompts the reader to question what is real and what is unreal. In his work, he implies that our conception of reality is tainted by pragmatism and that reality is a far cry from rationality. With a mixture of political relation and superstition, García Márquez combines the actuality of journalism and the gist of folktale to set the tone for his writing. He confirms:

The tone that I eventually utilize in One Hundred Years of Solitude was establish on the way my gran used to tell stories. She told things that sounded uncanny and fantastic, but she told them with complete naturalness... What was most important was the expression she had on her face.



She did not change her expression at all when singing her stories and everyone was surprised. In previous attempts to write, I tried to tell the fib without believing in it. I discovered that what I had to do was believe in them myself and write them with the same expression which my grandmother told them: with a brick face.

This technique is effective because it annihilates the distinction between the real and the fantastic, causing the reader to reconsider their perspectives on...

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