A Comparison of Cordelia and Edgar in King Lear
In order to make his witness work more interesting, Shakespe ar uses literary techniques that keep the reader c arful and on the edge. One expedient that Shakespeare uses to keep his readers attention is employ characters that sapiently contrast to for each one one other(a). In King Lear 2 characters that precipitously contrast are Edgar, Gloucesters legitimate son, and Edmund, Gloucesters illegitimate son. These two characters are extremely opposite in nature. In addition to using contrasting characters to keep his readers attention, Shakespeare also creates characters that parallel each other throughout the play. One definite pair of characters that parallel each other is Cordelia, Lears only devoted daughter, and Edgar who has already been introduced. Both of these characters go through similar situations. Edgar and Cordelia parallel each other: each loses their family bonds with their fathers (through no fault of their own), they two have unnatural bonds with their siblings, and both are rejoined with their fathers by the end of the play. These two characters never physically meet, but they are victimized in the play because they are characteristically similar.
After Act I Cordelia and Edgar both lose a bond with their fathers.
When King Lear asks his daughters to express their love for him in flip for their dowry Cordelia simply tells him that she loves him because he is her father, nothing more, nothing less. Compared to her sisters elongate proclamations of love for Lear Codelias was curt. The king takes her expression offensively and vehemently rebukes Cordelia: With my two daughters dowers digest the third. / allow pride, which she calls plainness, marry her. (1.1.144-5) The king fervently believes Cordelia acted against him so he disowns her for embarrassing him and letting him down: Though hast her France. Let her...
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